Three hours of undiluted housework. It doesn’t matter how many hugs I give my children, how many times they’ve been in bed within half an hour of their bedtimes, that they start the day with clean school clothes, or that I’ve attended two parents’ evenings in a week, and come up with tech solutions for my son, if the house is in chaos (untidy is a given), I get crosser and crosser with myself, sure under those piles of papers there are permission slips I’ve not returned or incomplete homework sheets.
Work-life balance isn’t the issue. As a mum-freelancer hybrid, life is work and vice versa. I need to find the writing-housework sweet spot where I’m producing as many words and doing as little tidying-up as I can without any Nixon-like guilt.
Today, I have a sofa full of clean washing (albeit none of it in its right place) and clear surfaces in my kitchen. I’m just about to pick my children up from school feeling like Mother Theresa.
I’ve said this before, but it’s so much easier to blog when you’re having a good day. It’s sunny, the air is clean, and I achieved almost unprecedented efficiency with my pitches this morning. So much so, I rewarded myself with a pumpkin latte. And just as I was sitting down, an email came in asking me to do an article I hadn’t pitched, but would really enjoy writing.
If it makes me any less obnoxious, Friday was a real stinker.
Anyway, onwards and upwards with a little more momentum than usual.
Well, hello again! Remember me? Yes, I know it’s been a while.
I knew summer was coming, as it did last year and the years before that, so why didn’t I prepare meal rotas, online deliveries and continuous activities in advance? Why, when I had the time, did I prioritise reading reports, and getting to end-of-term concerts and plays?
But in Norfolk last week, while the skies were often blue, the air was cool. Overnight, the edges of the tree in front of our window turned ocre. Autumn’s coming with its promise that this year I’ll perfect the after-school routine. The children will develop self-discipline and consistent consideration for each other. And I’ll make that courgette cake I’ve been thinking about for the last eleven years. Perhaps by next summer, my home will be so ordered and beautiful, other people will ask to come and write there.
And the laws of procrastination mean it’s been so easy to work on my novel. It has been a joyful escape rather than a discipline, partly because my fictional world is much better organised than my real one. My characters’ lives might be a mess, but they manage to keep their couches free of washing.
I don’t have any deadlines at the moment. I am grateful (in a slightly anxious way), as life has become about deciding which of the children would forgive me most easily for missing a concert/ end of term celebration/ play/ rock climbing session.
About Zadie Smith and Maggie O’Farrell. The reader in me luxuriates in cleverly written books like This Must Be the Place and Swing Time (I’m only halfway through that one, but I assume the rest is as good!) The writer despairs. How do they do it?
And about editing my novel. I won’t meet my CampNanowrimo goal, but I have chipped away at it most days. So that’s something. I hope to produce a thing of beauty in the end. At the moment, it’s a big mess.
…Like our home. The one thing my life is not about at the moment is housework, though it almost certainly should be. I’m not honest enough to post pictures. There isn’t a corner I don’t mind you seeing, and my phone is refusing to transfer photos. So this is a (boring but appropriate) re-post.
I should stop mulling over post ideas and just communicate. I really should.
We went to London this weekend for my birthday. It was possibly my best yet (at least a tie with last year’s where there were gluten-free pies.) We had the use of my husband’s boss’s very nice flat. So, on Sunday there were poached eggs and salmon on a rooftop looking out on the Shard and Walkie-Talkie buildings. Then we travelled around central London trying to find art. This was easier said than done, even once we were inside the Tate Modern. Eventually, we realised the speakers on the wall were an installation. We then legged it round the National Art Gallery, going for quantity rather than quality of experience- how many old masters could we appreciate before the children’s patience with culture finally wore out.
Anyway, I’m back, three days behind target on Camp Nanowrimo, but still hopeful the discipline of editing for an hour a day will push my new WIP forward.
I did hope I’d return to my laptop inspired with plenty of article ideas. However, it appears I am useless at creative multi-tasking. I can either concentrate on my novel or pitching features. Sometimes, there’s an overlap and wrestling with the novel suggests an article for Writing Magazine.
I’m in novel mode again, a pleasurable, guilt-ridden state. I’m not quite sure who flicked the switch from hard-working freelancer to dreamer. Slowly, very slowly, I’m understanding how I work best…
…and why as a responsible parent, I don’t write fiction all the time. To do it, I need to fully immerse myself in the world of my story.
At the moment, for instance, I have an image in my head- one of my main characters is stroking a kitten. She was a gift, but from whom, and why? And why was the character’s reaction so negative at the time? It’s all I can think about as I go to sleep or load the washing machine.
Making sure it still feels like fun
I hardly noticed the work I put into my first novel. I was a mum at home; there were many other things I should have been doing with that hour in the afternoon. Because of this, writing rarely felt like a treat in comparison to my other options.
I’m trying to think of this manuscript as socialising with interesting (albeit imaginary) people when I could be earning money or doing something about my laundry pile. Allowing the housework to build up really helps foster that sense of indulgence.
It is common sense to sure up your structure before you try perfecting your sentences. After all, you may be chopping that carefully worked prose later. However, looking at the story as a whole overwhelmed me. So, as working anyway round is more productive than pontificating about process, I’m editing at the micro level before the macro. And I believe I’ve found my stride.
I’m theoretically in control of what happens over the pages of my novel. My say-so is required for Zombie apocalypse, Viking invasion or any other horror. And I’m writing women’s fiction. So it would be pretty irrational to be frightened of it.
But I was, mainly because I had no idea where to begin. As soon as I realised I had some time to begin another edit, I signed myself up to improve my French on Duolingo, rediscovered my Freecell addiction and did some washing.
I then remembered Hillary Rettig’s advice not to get hung up on getting everything right in one go, and to do multiple drafts. With some of the pressure off, I bravely opened the file. Immediately, one of its many faults came to my rescue. I needed to change half of it into the past tense. That would keep me busy for a week or two.
Ah! you might be thinking. She’s doing something clever with points of view and structure. No! I just couldn’t decide as I was drafting it which tense it should all be in. And once I had, kept forgetting. So when I say half of it is still in the present tense, I mean there are some scenes with both. I’ve told you this already. It’s a Nanowrimo novel.