Three hours of undiluted housework. It doesn’t matter how many hugs I give my children, how many times they’ve been in bed within half an hour of their bedtimes, that they start the day with clean school clothes, or that I’ve attended two parents’ evenings in a week, and come up with tech solutions for my son, if the house is in chaos (untidy is a given), I get crosser and crosser with myself, sure under those piles of papers there are permission slips I’ve not returned or incomplete homework sheets.
Work-life balance isn’t the issue. As a mum-freelancer hybrid, life is work and vice versa. I need to find the writing-housework sweet spot where I’m producing as many words and doing as little tidying-up as I can without any Nixon-like guilt.
Today, I have a sofa full of clean washing (albeit none of it in its right place) and clear surfaces in my kitchen. I’m just about to pick my children up from school feeling like Mother Theresa.
I’ve said this before, but it’s so much easier to blog when you’re having a good day. It’s sunny, the air is clean, and I achieved almost unprecedented efficiency with my pitches this morning. So much so, I rewarded myself with a pumpkin latte. And just as I was sitting down, an email came in asking me to do an article I hadn’t pitched, but would really enjoy writing.
If it makes me any less obnoxious, Friday was a real stinker.
Anyway, onwards and upwards with a little more momentum than usual.
I should stop mulling over post ideas and just communicate. I really should.
We went to London this weekend for my birthday. It was possibly my best yet (at least a tie with last year’s where there were gluten-free pies.) We had the use of my husband’s boss’s very nice flat. So, on Sunday there were poached eggs and salmon on a rooftop looking out on the Shard and Walkie-Talkie buildings. Then we travelled around central London trying to find art. This was easier said than done, even once we were inside the Tate Modern. Eventually, we realised the speakers on the wall were an installation. We then legged it round the National Art Gallery, going for quantity rather than quality of experience- how many old masters could we appreciate before the children’s patience with culture finally wore out.
Anyway, I’m back, three days behind target on Camp Nanowrimo, but still hopeful the discipline of editing for an hour a day will push my new WIP forward.
I did hope I’d return to my laptop inspired with plenty of article ideas. However, it appears I am useless at creative multi-tasking. I can either concentrate on my novel or pitching features. Sometimes, there’s an overlap and wrestling with the novel suggests an article for Writing Magazine.
I have two articles out today. The first, ‘Productive Procrastination’, is in the June issue of Writing Magazine. I lay out twelve good excuses to avoid your novel. This didn’t require much research. I shouldn’t blow my own trumpet too much, but I’m an expert in this area. As usual, my mate Gary Dalkin provides market news.
(I’m the ‘Don’t fret about downtime’.)
I own to a natural bias towards WM as the editor gave me my break into journalism. This makes the subscription that meant I had some idea of what he was looking for, quite literally, one of my best investments yet. But it would probably have been that anyway. It provides ideas and fresh perspectives, and if nothing else, injects a dose of encouragement every thirty days.
The second article, published in the June/July issue of Discover Britain, is about ‘model’ villages. These include Saltaire, Bournville, Trouse and Port Sunlight- self-contained communities created by industrialists to improve their workers’ lives. It was a lovely job throughout, straightforward and involving research on one of my favourite subjects- Victorian game changers.
I met a deadline yesterday. Relaxing a little today, I had a very pleasant morning and early afternoon with my next one. I’d already done the research and produced a rough draft. Now it’s a matter of making sure it reads well, makes sense and importantly comes in at the right number of words. Hopefully, I’ll manage to send it in a few days early.
This means that tomorrow, I can afford to focus on other things in my life, like catching up with friends. I’m not talking about long lunches, just messaging people to let them know I’m still alive. And laundry. I wish I knew how to drop housework into a writing day, but I don’t really. You’d think it would be easy to put a load of washing on when I’m working in the next room.
If any of you have any tips on the whole freelancing/housework balance thing, I genuinely want to know.
I’ve not been sleeping well recently. There are of course many downsides. Sleep is pretty important. Upside? I feel justified sitting in bed to write. Insomnia is the ultimate antidote to perfectionism. But I better get this written before I collapse.
It’s half term in Dorset, so anything I achieve other than parenting is a bonus. Yesterday, I sent off three pitches- in a single email, but that’s a day record for 2017. Today, I’ve continued the structural edit of my novel.
I’m at my favourite stage- well away from realities like finding a publisher, but no longer creating something from scratch. I have a plot, subplots and characters. I know my setting. I can now enjoy getting those things right.
It’s a psychological edit as much as anything at the moment, as I focus on plot. Is that really what my main character would do at that point? Is that how she would break the news to her brother? What would he do then? And when he can’t do that? Isn’t that just cheesy? Yes, it is. Oh yes, I remember, you were thinking about word count. It’s all very messy, but it’s getting less so, every time I sit down to write.
Yesterday morning, I started revising my new novel, simply because I didn’t have the creative energy to pitch article ideas. And I’d run out of every other method of procrastination I could justify that early on in the day.
Printing the manuscript provided a major mood-lift. Whether e-books take off or not, there will always be something about seeing your work on paper.
I remained cheerful, glancing through as I manually numbered the pages. (Learn from me, and do it in Word, before printing.) I wrote most of the novel during a prolonged November lie-in, focussed on word count rather than the Man Booker prize. But the story looks as if it’ll hold together without massive plot adjustments. My last book took three or four years to get to this stage.
Then, mid-print out, this month’s issue of Writing Magazine belly-flopped onto the door mat, cheering me up further, as my article, “Get Serious”, is inside.